The back of a champagne silk dress, a row of fabric-covered buttons down the spine, the hem spreading across the floor.

Collection 01

Rơi

2 pieces, three lines, one way of sewing. The whole collection is built around a single sentence.

Why It's Called Rơi

Hanging still on a rail, every fabric looks good. Shop lighting makes every silk shine the same way, and a photograph flattens them further still.

You only learn a fabric's weight when you let go of it.

Thin cloth drops hard, breaks into square creases and then sits still. Good silk falls slower, turns once in the air before it settles, and its folds curve instead of breaking. That is how we choose fabric: pick it up, let it go, watch it fall.

Rơi means falling, and it is our first collection. Nothing in it was chosen for photographing well. Everything was chosen because of how it fell when we let go.

A length of ivory silk falling from a wooden beam in the workshop.

Silk released from the beam, still short of the floor

Three dress forms in champagne, deep red and ivory silk, standing in the workshop.

All three lines side by side in the workshop, under one light

The inside of a silk garment laid on a cutting table, showing the seam and the bound edge.

The Hardest Place To Hide.

Every piece in Rơi uses French seams, edges bound in the garment's own cloth, and hems finished by hand. Turn one inside out and you will not find a single loose thread.

A moss-green silk dress with puffed sleeves, a square neckline and a long fitted line.

Đầm Rêu, puffed sleeves, square neckline

A champagne silk áo dài with wide puffed sleeves, photographed on a wooden verandah.

Áo dài Tơ Vàng, with detachable puffed sleeves

Champagne silk settled over a dress form after falling.

The last frame, once the silk has stopped falling

Prices In The Open

See Each Piece And What It Costs.

Each piece has its price written right under the photo. Not one of them hides it behind a message.

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